The Oma Super Jellyfish Festival
BY Yaw Jia Ying, Elisabeth
SUPERVISED BY Adj. Assoc. Prof. Peter Sim
STUDIO THEME POSSIBLE WORLDS: AN ARCHITECTURE OF SIMULTANEOUS TEMPORALITIES
Abstract
Intense and more frequent jellyfish blooms are progressively becoming a problem for Japanese fishermen, encouraged by unsustainable levels of fishing. Oma, a historical bluefin tuna fishing village, has been hit especially hard by the critically low bluefin tuna fish stock and waves of jellyfish that spoil their catches. This thesis hopes to employ the jellyfish disturbance as a tool for ecological and architectural adaptation. It reimagines the disturbance as a beautiful transformation of livelihood and culture that respects and interacts with the existing bluefin tuna fishing landscape, at once empowering the struggling community, and paying respect to their history.
Supervisor Comments
The Nomura and the Maguro Traditions are hard to change. Oma, Japan, is a traditional fishing town, with a long and deep connection with Bluefin Tuna (Maguro) fishing. With global Maguro stocks dwindling and competition from large commercial operations, Oma It is a town at risk. This project explores the role of architecture in re-shaping traditions and renewing community. In the preceding years, the seas off Oma have seen an exponential rise in jellyfish blooms and a corresponding decline in Tuna numbers. The project imagines the community responding with a shift away from a Tuna based fishery to one which primarily harvests jellyfish. Building upon the townspeople’s deep-seated traditions, which stem from a respect for the sea and the importance of the collective community, the project engages with a community in transition, evolving new practices and renewing traditions. The project explores how architecture connects past to future and can be both an agent of continuity and change. A new fisheries landscape emerges from the old, one with its own aesthetic and poetry.
- Adj. Assoc. Prof. Peter Sim